(Source: guillaume-barrau)

jesuisperdu:

agnés clotis

jesuisperdu:

timothy app

Radiant Site, 1984

[acrylic on canvas; 66” x 96”]

ryannordkitchen:

C. Pearson

Cry Baby, 2012

36” x 36”

oil on canvas

minor-arcana:

Raoul de Keyser

Front
1992
Oil on canvas
65 x 48 1/2 inches (165.1 x 123.2 cm)

An interior shot of the “Matisse Chapel.” Decoration by Henri Matisse, 1949-1951. 

(Source: flerencie)

loverofbeauty:

Cy Twombly:  Roman Notes   (1970)

"Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire. The emotion derives from a double contact: on the one hand, a whole activity of discourse discreetly, indirectly focuses upon a single signified, which is “I desire you,” and releases, nourishes, ramifies it to the point of explosion (language experiences orgasm upon touching itself); on the other hand, I enwrap the other in my words, I caress, brush against, talk up this contact, I extend myself to make the commentary to which I submit the relation endure."

Roland Barthes.  A Lover’s Discourse: Fragments (via borgevino)

"Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire. The emotion derives from a double contact: on the one hand, a whole activity of discourse discreetly, indirectly focuses upon a single signified, which is “I desire you,” and releases, nourishes, ramifies it to the point of explosion (language experiences orgasm upon touching itself); on the other hand, I enwrap the other in my words, I caress, brush against, talk up this contact, I extend myself to make the commentary to which I submit the relation endure."

Roland Barthes.  A Lover’s Discourse: Fragments (via borgevino)

grntnwmn:

Sue Tompkins

Untitled, 2012
Typewritten text on newsprint paper (Text: Yes or no)

"It is difficult to get the news from poems yet men die miserably every day for lack of what is found there."

William Carlos Williams (via jonahrosenberg)

WCW ‘til I die

(via jesuisperdu)

Is control the incentive for art making

i actually really love it when someone remembers small details and quirks about me or addresses me by my name at unexpected times like at the end of a sentence and i don’t know why but i just really, really do.

(Source: jkellemnop)

(Source: nuclearharvest)

vuls:

‘tetsu to kinu scarf’ by miya ando